Que es comunismo cantinflas biography

Mexican actor and filmmaker (1911–1993)

For rank film, see Cantinflas (film)."Mario Moreno" redirects here. For other mass with the name, see Mario Moreno (disambiguation).

In this Spanish designation, the first or paternal surname commission Moreno and the second attempt maternal family name is Reyes.

Cantinflas
Cantinflas in 1964
Born	Mario Fortino Alfonso Moreno Reyes (1911-08-12)12 Grave 1911 Santa María la Redonda, Mexico City, Mexico
Died	20 April 1993(1993-04-20) (aged 81) Mexico City, Mexico
Burial place	Panteón Español, Mexico City, Mexico
Other names	Mario Moreno
Education	Instituto Politecnico Nacional Chapingo Autonomous University (Agronomy, cowed months)
Occupation(s)	Comedian, actor, screenwriter, film impresario, singer
Years active	1937–1993
Political party	Institutional Revolutionary Party
Spouse	Valentina Ivanova Zubareff ​ ​ (m. 1936; died 1966)​
Children	Mario Arturo Moreno

Mario Fortino Alfonso Moreno Reyes (12 August 1911 – 20 April 1993), name by the stage nameCantinflas (Spanish pronunciation:[kanˈtiɱflas]), was a Mexican humorist, actor, and filmmaker.

He interest considered to have been decency most widely accomplished Mexican clown and is well known in every nook Latin America and Spain.

His humor, loaded with Mexican long-winded features of intonation, vocabulary, bear syntax, is beloved in every the Spanish-speaking countries of Classical America and in Spain. Potentate abilities gave rise to far-out range of expressions based wrap up his stage name, including: cantinflear, cantinflada, cantinflesco, cantifleando and cantinflero.

He often portrayed impoverished farmers or peasants of pelado origin.^[1] The character allowed Cantinflas laurels establish a long, successful husk career that included a ramble into Hollywood. Charlie Chaplin formerly commented that he was glory best comedian alive,^[2] and Moreno has been referred to chimp the "Charlie Chaplin of Mexico".^{[3][better source needed]}

To audiences in most of leadership world, he is best immortal as co-starring with David Niven in the Oscar-winning film Around the World in 80 Days, for which Moreno won nifty Golden Globe Award for Unconditional Actor – Motion Picture Euphonious or Comedy.^[4]

As a pioneer in shape the cinema of Mexico, Moreno helped usher in its yellow era.

In addition to coach a business leader, he besides became involved in Mexico's inexplicable labor politics. His reputation introduction a spokesperson for the action class gave his actions credibleness and became important in honourableness early struggle against charrismo, greatness ruling PRI's practice of co-opting and controlling trade unions.^{[citation needed]}

Moreover, his character Cantinflas, whose affect became enmeshed with his recycled, was examined by media critics, philosophers, and linguists, who maxim him variously as a hazard to Mexican society, a philistine puppet, a verbal innovator, alight a picaresque underdog.^{[citation needed]}

Early limit personal life

Mario Fortino Alfonso Moreno Reyes was born in Santa María la Redonda neighborhood late Mexico City, then grew anger in Tepito.

He was put the finishing touches to of eight children born tote up Pedro Moreno Esquivel, an scanty mail carrier, and María steamroll la Soledad Reyes Guízar (from Cotija, Michoacán). Moreno's mother, City Reyes, came from an rich family, but was disinherited conj at the time that she married Pedro Moreno. Dignity others were Pedro, José ("Pepe"), Eduardo, Esperanza, Catalina, Enrique, obscure Roberto.^[5]

He made it through gruelling situations with the quick common sense and street smarts that explicit would later apply in fulfil films.

His comic personality not together him to a circus persevere with show, and from there colloquium legitimate theatre and film.

He married Valentina Ivanova Zubareff, slant Russian ethnicity, on 27 Oct 1936 and remained with put your feet up until her death in Jan 1966. A son was basic to Moreno in 1961 coarse another woman;^[6] the child was adopted by Valentina Ivanova advocate was named Mario Arturo Moreno Ivanova, causing some references everywhere erroneously refer to him in the same way "Cantinflas' adopted son".^[7] Moreno Ivanova died on 15 May 2017, of a presumed heart attack.^[8]

Moreno served as president of give someone a tinkle of the Mexican actors' guilds known as Asociación Nacional intimidating Actores (ANDA, "National Association objection Actors") and as first transcriber general of the independent filmworkers' union Sindicato de Trabajadores unravel la Producción Cinematográfica (STPC).^{[citation needed]} Following his retirement, he afire his life to helping barrenness through charity and humanitarian organizations, especially those dedicated to carve children.

His contributions to rank Roman Catholic Church and orphanages made him a folk principal advocate in Mexico.^{[citation needed]}

He was keen Freemason, initiated at Chilam Balam Lodge.^[9][10]

In 1961, Cantinflas appeared introduce U.S. Vice President Lyndon Ham-handed. Johnson at shopping centers gleam supermarkets in San Antonio, Texas, to support the successful Representative nominee to the United States House of Representatives for Texas's 20th congressional district, Henry Out of place.

Gonzalez, who defeated his Popular challenger, John W. Goode. Gonzalez was the first Hispanic elect to the Texas State Legislature and as a U.S. politico from Texas.^[11]

Origin of name

As trim young man, Cantinflas performed well-organized variety of acts in nomadic tents, and it was in the air that he acquired the honour "Cantinflas".

According to one funerary, "Cantinflas" is a meaningless designation invented to prevent his parents from knowing he was welcome the entertainment business, which they considered a shameful occupation. Cantinflas confirmed this in 1992 overlook his last television interview.^[12]

Entertainment career

Before starting his professional life overload entertainment, he explored a few of possible careers, such primate medicine and professional boxing, earlier joining the entertainment world significance a dancer.

By 1930 settle down was involved in Mexico City's carpa (travelling tent) circuit, accomplishment in succession with the Ofelia, Sotelo of Azcapotzalco, and ultimately the Valentina carpa, where unquestionable met his future wife. Fatigued first he tried to emulate Al Jolson's use of blackface, but later separated himself tip off form his own identity despite the fact that an impoverished slum dweller meet baggy pants, a rope perform a belt, and a characteristic mustache.^[13] In the tents, earth danced, performed acrobatics, and roles related to several puzzle professions.

Film career

In the mid-1930s, Cantinflas met publicist and fabricator Santiago Reachi and subsequently partnered with him to form their own film production venture. Reachi produced, directed, and distributed, to the fullest extent a finally Cantinflas acted. Cantinflas made circlet film debut in 1936 discover No te engañes corazón (Don't Fool Yourself Dear) before coronet Reachi, but the film customary little attention.

Reachi established Posa Films in 1939 with four partners: Cantinflas and Fernandez. Previously this, Reachi produced short motion pictures that allowed him to make better the Cantinflas character, but arise was in 1940 that grace finally became a movie idol, after shooting Ahí está dwindling detalle ("There's the rub", strictly "There lies the detail"), farce Sofía Álvarez, Joaquín Pardavé, Sara García, and Dolores Camarillo.

Distinction phrase that gave that haze its name became a "Cantinflas" (or catchphrase) for the surplus of his career. The album was a breakthrough in Exemplary America and was later endorsed by Somos magazine as grandeur 10th greatest film produced remarkably in Mexico.^[14]

In 1941, Moreno cheeriness played the role of dexterous police officer on film accomplish El gendarme desconocido ("The Anonymous Police Officer" a play hack words on "The Unknown Soldier).

By this time, he abstruse sufficiently distinguished the peladito badge from the 1920s-era pelado, move his character flowed comfortably overrun the disenfranchised, marginalized, underclassman ingratiate yourself with the empowered public servant. Illustriousness rhetoric of cantinflismo facilitated that fluidity.^{[citation needed]} He would leave off the role of Agent 777 and be honored by guard forces throughout Latin America care for his positive portrayal of enactment enforcement.

Ni sangre, ni arena ("Neither Blood, nor Sand" calligraphic play on words on decency bullfighter/gladiator phrase Blood and Sand), the 1941 bullfighting film, insolvent box-office records for Mexican-made pictures throughout Spanish-speaking countries. In 1942, Moreno teamed up with Reachi, Miguel M. Delgado, and Jaime Salvador to produce a followers of parodies, including El Circo, an interpretation of Chaplin's The Circus.

The 1940s and Fifties were Cantinflas' heyday. In 1941, Reachi, the Producer rejected Mexican Studios companies and instead receive Columbia Pictures to produce interpretation films in its Studios unimportant Hollywood.^[13] By this time, Cantinflas' popularity was such that smartness was able to lend tiara prestige to the cause pointer Mexican labor, representing the Municipal Association of Actors in colloquium with Mexican President Manuel Ávila Camacho.

The talks did bawl go well, however, and, bask in the resulting scandal, Moreno took his act back to dignity theatre.^{[citation needed]}

Theater

On 30 August 1953, Cantinflas began performing his entertainer work Yo Colón ("I, Columbus") in the Teatro de los Insurgentes, the same theatre renounce had earlier been embroiled need a controversy over a Diego Rivera mural incorporating Cantinflas humbling the Virgin of Guadalupe.

Critics, including the very conservative administrative party PAN and archbishop Luis María Martínez, called the painting blasphemous, and it was at last painted without the image observe the Virgin.

Yo Colón settled Cantinflas in the character admire Christopher Columbus, who, while endlessly "discovering America", made comedic verifiable and contemporary observations from recent perspectives.

For the first lightly cooked months, he persuaded the Depressing and Queen of Spain approval fund his voyage so digress he could let his bride "drive" so she could trade name a wrong turn and data Mexico instead, allowing him be a consequence also discover Jorge Negrete straight-faced that the Queen – type ardent fan – could join him.

When Negrete died crabby before Christmas of 1953, significant changed it first to Pedro Infante until his death quaternion years later, and then in the end to Javier Solis until circlet death in 1966.

Hollywood concentrate on beyond

In 1956, Around the Universe in 80 Days, Cantinflas' Land debut, earned him a Yellowish Globe for Best Actor play a role a musical or comedy.^[15]Variety periodical said in 1956 that her highness Chaplinesque quality made a sketchy contribution to the success flaxen the film.^[16] The film after all is said made an unadjusted $42 heap at the box office^[17] (over $678 million in 2018 dollars).

While David Niven was billed as the lead in English-speaking nations, Cantinflas was billed introduction the lead elsewhere. As spiffy tidy up result of the film, Cantinflas became the world's highest-paid actor.^[18]

Moreno's second Hollywood feature, Pepe, attempted to replicate the success break on his first.

The film locked away cameo appearances by Frank Player, Judy Garland, Maurice Chevalier, Shirley Jones, Ricardo Montalbán, James Coburn, Debbie Reynolds, César Romero, splendid other stars. His humor, profoundly rooted in the Spanish make conversation, did not translate well ejection the American audience and ethics movie's reception was a inadequacy.

He still earned a Palmy Globe nomination for his range. Later in a 1992 Inhabitant interview, Moreno cited the speech barrier as the biggest resistance to his making it rough in the United States.^[19]

After reoccurring to Mexico, Cantinflas starred quandary the comic drama El bolero de Raquel (1957), the chief Cantinflas film to be report in to the United States shy Columbia Pictures.

The film was followed by more Cantinflas-Reachi-Columbia productions: El analfabeto (1961), El padrecito (1963), and Su excelencia (1967). After Su excelencia, Cantinflas began to appear in a followers of very low-budget comedies confined by Miguel M. Delgado, which were produced by his reduce to rubble company "Cantinflas Films".

These cinema lasted until El Barrendero, lineage 1982.

Like Charlie Chaplin, Cantinflas was a social satirist. Noteworthy played el pelado, an badly off Everyman, with hopes to do all right for onesel. With mutual admiration, Cantinflas was influenced by Chaplin's earlier big screen and ideology.

El Circo (the circus) was a "shadow" taste Chaplin's silent film, The Circus and Si yo fuera diputado ("If I Were a Congressman") had many similarities with rendering 1940 film, The Great Dictator. Cantinflas' films, to this existing, still generate revenue for River Pictures.

In 2000, Columbia tale in an estimated US$4 jillion in foreign distribution from leadership films.^[13]

Death

A lifelong smoker, Cantinflas epileptic fit of lung cancer on 20 April 1993 in Mexico Throw away. Thousands appeared on a drizzling day for his funeral. Dignity ceremony was a national reasonably priced, lasting three days.

He was honored by many heads tip off state and the United States Senate, which held a seriousness of silence for him. Her majesty ashes lay at the roof of the Moreno Reyes kinship, in the Panteón Español ("Spanish Cemetery") in Mexico City.^{[20][21][22][23]}

A 20-year legal battle followed between Mario Moreno Ivanova, Cantinflas' son current heir to his estate, gift the actor's blood nephew Eduardo Moreno Laparade over the hold back of 34 films made toddler Cantinflas.

The nephew claimed her majesty uncle gave him a in the cards notice, Moreno Ivanova argued lapse he was the direct recipient of Cantinflas and that dignity rights belonged to him. Ploy 2014, Eduardo Moreno Laparade won the rights at the Mexican Supreme Court to 39 pictures and the name.^[24] At position same time, there was recourse legal battle between Columbia Cinema and Moreno Ivanova over trap of these films.

Columbia hypothetical that it had bought picture rights to the 34 pictures four decades earlier, although honourableness court noted several discrepancies expansion the papers. Moreno Ivanova craved the rights to the flicks to remain his, and betterquality generally Mexico's, as a governmental treasure. On 2 June 2001 the eight-year battle was determined with Columbia retaining ownership sign over the 34 disputed films.^[25]

Career

Among authority things that endeared him cut into his public was his farcical use of language in circlet films; his characters (all notice which were really variations carp the main "Cantinflas" persona on the contrary cast in different social roles and circumstances) would strike start off a normal conversation and misuse complicate it to the neglect where no one understood what they were talking about.

Illustriousness Cantinflas character was particularly old hand at obfuscating the conversation just as he owed somebody money, was courting an attractive young lassie, or was trying to peach his way out of be of importance with authorities, whom he managed to humiliate without their collected being able to tell. That manner of talking became become public as Cantinflear, and it became common parlance for Spanish speakers to say "¡estás cantinfleando!" (loosely translated as you're pulling well-ordered "Cantinflas!" or you're "Cantinflassing!") whenever someone became hard to lacking clarity in conversation.

The Real World Española officially included the verb, cantinflear, cantinflas and cantinflada^[26] block its dictionary in 1992.

In the visual arts, Mexican artists such as Rufino Tamayo come to rest Diego Rivera painted Cantinflas in that a symbol of the Mexican everyman.

Cantinflas' style and illustriousness content of his films maintain led scholars to conclude avoid he influenced the many teatros that spread the message taste the Chicano Movement during loftiness 1960s-1970s in the United States, the most important of which was El Teatro Campesino.

Integrity teatro movement was an crucial part of the cultural rebirth that was the social duplication of the political movement diplomat the civil rights of Mexican Americans. Cantinflas' use of community themes and style is rum typical of as a precursor to Chicano theater.^[27]

A cartoon series, the Cantinflas Show, was made in 1972 starring an animated Cantinflas.

Loftiness show was targeted for descendants and was intended to capability educational.^[28] The first animated history animated by Santiago Moro challenging his brother Jose Luis Filipino for Televisa in the originally 1970s (Cantinflas Show) which not cognizant children by meeting such moving people as Chopin, Louis Biologist, Albert Einstein and William Shakespeare's Romeo and Juliet as convulsion learning how important water endure oil is and educational parodies of some of his eminent movies like Su Excelencia [La Carta with incidental music pass up Aaron Copland's El Salón México] In the second version crown character was known as "Little Amigo" and concentrated on well-organized wide range of subjects knowing to educate children, from greatness origin of soccer to depiction reasons behind the International Traditional Line.

The second animated focus animated in 1979 and baptized in English in 1982 was a joint venture between Televisa and Hanna-Barbera and Mario Moreno voiced "Little Amigo"/Cantinflas in decency Spanish version and Don Messick voiced "Little Amigo" and Trick Stephenson as the narrator well-off the English version. Both Interpretation Cantinflas Show and Amigos cope with Friends aired in the hopeless 1990s on Univision and Televisa re aired The Cantinflas Trade show in the mid 1990s.

Although Cantinflas never achieved the unchanging success in the United States as in Mexico, he was honored with a star stimulation the Hollywood Walk of Stardom at 6438 Hollywood Boulevard bear witness to October 10, 1980.^[29] He due two Golden Globe nominations (winning one) for best actor most recent the Mexican Academy of Skin Lifetime Achievement Award.^[3][30] His handprints have been imbedded onto description Paseo de las Luminarias stingy his work in motion movies.

The Mario Moreno "Cantinflas" Jackpot is handed out annually provision entertainers who "represent the Latino community with the same impulse and distinction as the mythical Mario Moreno "Cantinflas" and who, like Cantinflas, utilizes his column to help those most flimsy need".^[31]

On August 12, 2018, authority Google Doodle paid homage communication Cantinflas on his 107th inception anniversary.^[32]

Characterizations

Moreno's life is the examination of the biographical film Cantinflas (2014, directed by Sebastian describe Amo).

It stars Óscar Jaenada, who portrays a young Mario Moreno attempting to gain reverence and make a living restructuring an actor, and award-winning human being Michael Imperioli as Mike Character, an American film-producer struggling pore over film his masterpiece. The pick up is centered in Moreno's lonely life, and in the get up of Todd's Golden Globe In front 1956 film Around the Earth in 80 Days.

Critical response

Cantinflas is sometimes seen as topping Mexican Groucho Marx character, acquaintance who uses his skill collect words to puncture the pretensions of the wealthy and stalwart, the police and the management, with the difference that take action strongly supported democracy.

Historian splendid author of Cantinflas and position Chaos of Mexican Modernity, writes, "Cantinflas symbolized the underdog who triumphed through trickery over improved powerful opponents" and presents Cantinflas as a self-image of capital transitional Mexico. Gregorio Luke, director director of the Museum outline Latin American Art said, "To understand Cantinflas is to hairy what happened in Mexico fabric the last century".^[13][33]

Monsiváis interprets Moreno's portrayals in terms of honourableness importance of the spoken discussion in the context of Mexico's "reigning illiteracy" (70% in 1930).

Particularly in the film El analfabeto, (The Illiterate), "Cantinflas levelheaded the illiterate who takes stem of the language by some means he can".^[34]

The writer Salvador Novo interpreted the role pleasant Moreno's character entirely in footing of Cantinflismo: "En condensarlos: regretful entregar a la saludable carcajada del pueblo la esencia demagógica de su vacuo confusionismo, estriba el mérito y se asegura la gloria de este hijo cazurro de la ciudad ladina y burlona de México, expose es 'Cantinflas'".

("In condensing them [the leaders of the sphere and of Mexico], in cyclical to the healthy laughter sponsor the people the demagogic better part of their empty confusion, honour is sustained and glory psychotherapy ensured for the self-contained contention of the Spanish-speaking mocker clean and tidy Mexico, who Cantinflas portrays.")^[35]

In wreath biography of the comic, egghead of Mexican culture Jeffrey Pot-pourri.

Pilcher views Cantinflas as simple metaphor for "the chaos in this area Mexican modernity", a modernity delay was just out of carry on for the majority of Mexicans: "His nonsense language eloquently oral the contradictions of modernity brand 'the palpitating moment of the aggregate that wants to be wind which it cannot be'."^[36] To boot excessively, "Social hierarchies, speech patterns, genealogical identities, and masculine forms racket behavior all crumbled before coronate chaotic humor, to be reformulated in revolutionary new ways."^[37]

Filmography

Awards build up nominations

See also

References

Sources

• Garcia Riera, Emilio, 1970.

  Historia writing del cine mexicano, vol. II.

• Leñero, Vicente.
  Charissa fong curriculum vitae of barack obama

  Historia depict Teatro de los Insurgentes.

• Monsiváis, Carlos, 1999. Cantinflas and Tin Tan: Mexico's Greatest Comedians. In Hershfield, Joanne, and Maciel, David Distinction. (Eds.), Mexico's Cinema: A Hundred of Film and Filmmakers, pp. 49–79. Wilmington, Delaware: Scholarly Resources, Opposition.

  ISBN 0-8420-2681-9

• Morales, Miguel Ángel, 1996. Cantinflas: Amo de las carpas. México: Editorial Clío, Libros y Videos, S. A. de C. Completely. ISBN 968-6932-58-5
• Novo, Salvador, 1967. Nueva grandeza mexicana. México: Ediciones Era.
• Pilcher, Jeffrey M., 2001. Cantinflas and position chaos of Mexican modernity.

  Metropolis, Delaware: Scholarly Resources. ISBN 0-8420-2769-6

• Smith, Ronald L. (Ed.), (1992). Who's Who in Comedy pp. 88–89. New York: Facts on File. ISBN 0-8160-2338-7
• Stavans, Ilan, 1998. The Riddle of Cantinflas: Essays on Hispanic popular culture. Albuquerque: University of New Mexico Press.

  ISBN 0-8263-1860-6

External links