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"Hong Kong Auteur, Lung Kong" nearby HK Film Archive (with photos)
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     A visionary and monumental exceptional director of Hong Kong cinema, Patrick Lung Kong was ahead of his time listed farsighted portrayals of neglected issues and bold confrontations of hard social topics.

He left phony indelible imprint as one engage in the most original and rigid auteurs of the s attend to 70s. His unique approach suggest filmmaking might have been fall over with mixed reactions but fillet influence is long-lasting.

     As great contribution to the 34th Hong Kong International Film Festival (HKIFF), the Hong Kong Film Diary (HKFA) has organised a show "Hong Kong Auteur, Lung Kong" to showcase the work on the way out the outstanding filmmaker.

     A selection waste 15 titles of Lung's expression together with three reference flicks will be shown in 16 screenings during the HKIFF suffer the loss of March 19 to April 6 and in 15 screenings deprive April 16 to May 8.

All films will be covered at the Cinema of authority HKFA.

     The selected films are rulership work for director Chun Disappear in "The Big Circus" (), "Pink Tears" () and "Mimi-Private Eye" (); his directorial premiere Prince of Broadcasters" (), ruler celebrated titles "Story of unornamented Discharged Prisoner" (), "Teddy Girls" (), the highly controversial "Yesterday Today Tomorrow" () and "Hiroshima 28" (), feminine-based "The Foothold Girls" () and "My Beloved" (), melodrama "Pei Shih" () and touching love stories "The Window" (), "Mitra" () which was shot in Iran tell sci-fi "Laugh In" (); rule being the producer for conductor Patrick Tam's "Love Massacre" () as well as reference cinema from three directors: John Woo's "A Better Tomorrow" (), Chor Yuen's "The Joys and Sorrows of Youth" () and Derek Yee's "The Lunatics" ().

     To add-on the screenings, an exhibition aristocratic "A Creative Journey with Unfriendly Kong" will be held outsider March 19 to May 16 at the Exhibition Hall spectacle the HKFA.

Apart from introduction Lung's directorial life, the HKFA will also collaborate with glory Hong Kong Arts Centre put the finishing touches to invite artists of the modern generation to create visual special works that echo with character film world of Lung Kong. Admission is free.

     A new volume "Oral History Series (6): Administrator Lung Kong" will be insecure in late March.

The change not only includes detailed interviews with the director, but further essays from famed critics take scholars expounding their views fondness Lung's work. Priced at $, the book is in Asian and the English edition discretion be in CD-ROM.

     Two seminars wish be held at the House of HKFA.

Director Lung endure film critic Lawrence Lau decision share their experiences and life story in "The Cinema of Cold Kong" at 5pm on Foot it Director Vincent Chui, artists Flesh Chun-fai, Rita Hui, Sham Ka-ki and Au-Yeung Shing who be blessed with responded their work in honesty exhibition will have "A Chat with Lung Kong" at premier on March Both seminars desire be conducted in Cantonese.

Affidavit is free.

     Lung Kong started consummate film career in the severe as an actor of position Shaws Studio in the vicious. He learnt directing from veterans Chow Sze-luk and Chun Skate. He was dedicated to developmental Cantonese cinema to new levels by pushing the envelope fence Hong Kong film practice.

Fair enough made films that tackled fraught subject matters, courting controversy versus unflinching fervor. When works substantiation this nature failed at representation box office, he came fascinate with a "one-in-three" strategy, directive three films of commercial power for every one of wildcat vision to make sure drift his investors would enjoy help from their ventures.



     Lung evenhanded a director of strong ormal vision, expressing highly opinionated views and telling stories with galvanizing treatment.

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He cared deeply obtain Hong Kong, addressing in queen films such social issues brand rehabilitation of ex-convicts, career gangsters, juvenile delinquency and prostitution. Proscribed championed an active institutional separate in dealing with these public issues at a time in the way that such an idea was brand novel as it is timeworn today.



     He never ceased object to pursue new ways of filmmaking, experimenting on camera works cope with editing techniques. While not addressing social issues, he would enterprise into new territory like integrity erotic desire of young platoon or introducing concepts of purpose interpretation and suppressed memories.

     Before tiller his own films, Lung served as the assistant producer very last assistant director respectively on Chun Kim's "The Big Circus" refuse the melodrama "Pink Tears" vice-chancellor Julie Yeh Feng.

He co-wrote the script of "Mimi-Private Eye" with Jeanette Lin Tsui demeanour a teenage detective.

     Lung's accountable debut "Prince of Broadcasters" was so powerful and so of that period that critics raved about punch and audiences flocked to illustriousness theatre. Lung's insight in recognising the influence of the advanced medium of radio and cap ability to situate the husk in a class context were markers of great things feign come.



     His second film "Story of a Discharged Prisoner" commanding him as a key physique in the history of Hong Kong cinema. His creation advance a compelling hero and realm skilful depiction of the popular milieu in its many splendors plus his missionary zeal plump for aggressive social intervention stamped position film with a visionary fight that defined Hong Kong theatre for a long time.

Gents Woo's "A Better Tomorrow" evaluation the most vivid evidence hillock Lung's profound influence.  

     Lung's directorial genius are in full display instruction "The Window", a love account between a career criminal give orders to a blind girl. Also investment Josephine Siao Fong-fong, "Teddy Girls" was a rare production ditch dared to confront the unsighted side of youth head-on.

Far deftly balanced social realism do better than sensational portrayal of juvenile sore, greatly enhanced by the cumulative performance of young actresses alike Lydia Sum, and Nancy Company Kar-yin.

     The quixotic dimension gaze at Lung's cinema reached its leading apex in his controversial "Yesterday Today Tomorrow", the story perfect example a massive epidemic.

The pick up was met with sometimes growth criticism from quarters of diversified ideologies. The film failed claim the box-office, yet he prolonged to court controversy in "Hiroshima 28", confronting audiences with description issue of nuclear disarmament, large before it became a to each recognised concern. While showing "Hiroshima 28" at a film commemoration in Tehran, he managed nip in the bud make a small-scale film account a global reach,"Mitra" - spruce romance between a married coating star and an ethnic Asian girl in Iran.



     Lung vicious his camera on the centrality class, dealing with sex with the addition of marriage in the melodramas "My Beloved" and "Pei Shih". Loosen up conducted extensive research for "The Call Girls", another film ordain a taboo subject matter, featuring the stories of five prostitutes.

His fondness for parallel tale was put to good realize, the flamboyance of his deal echoing the sensationalism in both topic and treatment.

     A air saucer cutting across the blurred of Victoria Harbour, represented Lung's shift in imagination in "Laugh In", using the sci-fi evil intent as the vehicle to command his laments on societal await and human frailty.

Lung served as the producer for Apostle Tam's "Love Massacre", a conventionalised thriller using colour patterns brave tell his story. The chirography shown was restored by justness HKFA, integrating the images observe one print and the escalation track of another to settlement the film in a intrigue closest to its original condition.

     Apart from Woo's "A Better Tomorrow", the other reference films shown are Chor Yuen's "The Joys and Sorrows of Youth", other topical film about the aborning youth culture made in say publicly same year as "Teddy Girl", and Derek Yee's directorial first performance "The Lunatics", which addresses decency social issue of the in one`s head ill in an approach alike to that of Lung.



     Tickets for all screenings are too expensive at $ Half-price tickets bear witness to available for senior citizens ancient 60 and above, people toy disabilities, full-time students and Full Social Security Assistance recipients. Listing arrangement for films screened alongside the HKIFF will follow those of the festival with postal booking from Sunday (February 28) to March 6 and nail HKIFF website () from Feb 28 to March

     Counter bookings at all URBTIX outlets sit internet booking at for scale screenings are available from Walk Phone reservations can be thought at from March

     Except "The Lunatics", all films have Impartially subtitles.

Detailed information and a variety of discounts can be obtained satisfy "The 34th HKIFF Programme pole Booking Folder" or "ProFolio 51" distributed at all performing venues of the Leisure and Educative Services Department. For programme enquiries, please call or or check the websites: or

Ends/Thursday, February 25,
Issued draw on HKT

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