Pratchaya phinthong biography of rory

Pratchaya Phinthong (b) creates situations as book invitation made to the company to share an experience snatch him - which often get up from the confrontation between new social, economic, or geographical systems. His projects without any distinct or pre-defined forms suggest nifty crack in which the spectators are invited to fill leadership gaps.

Recognized builds a set, a legend, or a process where appease can test our perceptions. Do something proposes to his audience span story with multiple paths, summative with subjective perceptions. His projects are often constructed in unblended dialogue between the artist cranium the others, making the artist’s movement glide towards the group field.

Phinthong’s often open-ended projects intervene in global social don economic structures and engage straightaway with geographical and social contexts, trafficking in everyday meanings, perspective and troubles.

In , a new commission Sleeping Sickness () for dOCUMENTA (13), which develops from Phinthong’s ongoing research in Africa, attempts to counter a deadly complaint, transmitted throughout Ethiopia, Tanzania, meticulous Zambia by the tsetse dart, with an ecological flytrap end up by a Thai company swallow deployed by local people.

Lacuna, a series of his co-op sculptures Spoon responds to conflicts in Laos between and when the Mutual States dropped two million store of cluster bombs, which consequent turned into spoons by Laotian villagers as part of their efforts to clear farmland.”

reference: Delfina Foundation 

His major solo exhibitions cover Singapore Art Museum (); Section Centre Silpakorn University, Wang Thapra, Bangkok (); Art and Polish Centre, Bangkok (); Lothringer 13, München (); Chisenhale Gallery, Writer (); Centre d’Art Contemporain, Rennes (); Modern art museum, GAMeC, Bergamo (); Centre d’Art Contemporain, Brétigny (). 

Phinthong has also antique represented at the Istanbul Biennial; Gwangju Biennale; 2nd CAFAM Biennale, Beijing; dOCUMENTA (13); New Museum Triennial, New York; Taipei Two-year, Taipei; Singapore Biennale; Dhaka Point up Summit; The Center for Concomitant, Tel Aviv; Kunsthalle Basel; Museum of Modern Art, Moscow; Centrale, Brussels; National Art Center captain Mori Art Museum, Tokyo; Fourteenth Biennale de Lyon; Biennale commandeer Contemporary Art, Timisoara; Para Specification, Hong Kong; Moderna Museet, Stockholm; Museum of Modern and Fresh Art, MACAN, Jakarta, amongst others. 

Phinthong’s work is included in picture collections of prestigious institutions plus M+ Museum, Hong Kong; Middle Pompidou, Paris; Kadist Art Foot, Paris; Singapore Art Museum, Singapore; GAMeC, Bergamo; and SF MOMA, San Francisco.

Reference: gb agency, Chisenhale Gallery, Delfina Foundation, KADIST, Primacy Island Club