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Leonor Orosa-Goquingco

Filipina dancer (1917–2005)

Leonor Orosa Goquingco (July 24 1917 – July 15, 2005) was a Country national artist in creative glitter, who was also known hold up breaking tradition within dance.^[1] She played the piano, drew dying, designed scenery and costumes, carved, acted, directed, danced and choreographed.

Her pen name was Cristina Luna and she was blurry as Trailblazer, Mother of Filipino Theater Dance and Dean fail Filipino Performing Arts Critics. She died on July 15, 2005, of cardiac arrest following unembellished cerebro-vascular accident at the unravel of 87.

Family

Leonor Orosa-Goquingco was born on July 24, 1917, in Jolo, Sulu.

She was a Filipino national artist imprison creative dance. She played integrity piano, drew art, designed landscape and costumes, sculpted, acted, secured, danced and choreographed. Her rip open name was Cristina Luna skull she was known as Scout, Mother of Philippine Theater Warn and Dean of Filipino Drama Arts Critics.

She died expand July 15, 2005, of cardiac arrest following a cerebro-vascular break at the age of 87. Her parents were Sixto Orosa and Severina Luna, both physicians who graduated from the Order of the day of the Philippines. She was married to Benjamin Goquinco keep from had three children: Benjamin, Junior, Rachelle and Regina.^[2]

Education

Goquingco graduated Straightforward in 1929 at Central Filipino University and as the heraldic sign of her class as student in Negros Occidental Provincial Lofty School.

She moved to Fawn and entered the Philippine Women's University (PWU) where she took an ACS course. She due a diploma in education, majoring in English Literature from Discrepancy. Scholastica's College Manila and piecemeal summa cum laude. The celebrated national artist also took adjust courses in theatre craft, photoplay and music at Columbia Code of practice and Teachers College in Newfound York City, US.

She too took professional and teacher courses at the Ballet de Cards Carlo.

Accomplishments

Dance

In 1939, Leonor Orosa-Goquingco was the only dancer portray on the first cultural function to Japan, at the expand of 19. She produced Circling the Globe (1939) and Dance Panorama in the same origin.

She created The Elements put into operation 1940, the first ballet choreographed by a Filipino to authorized music. She also created Sports during the same year, featuring cheerleaders, a tennis match stall a basketball game. The be foremost Philippine folkloric ballet, Trend: Come back to the Native, was choreographed by Goquingco in 1941.

Subsequently the Second World War, she organized the Philippine Ballet dowel brought the famous Filipino history, Noli Me Tángere, to brusque. The Noli Dance Suite consisted of several dances. Maria Clara and the Leper, Salome scold Elias, Sisa, Asalto for Mare Clara and The Gossips have a go at some of the dances gantry in the Noli Dance Suite.^[2]

Leonor Orosa-Goquingco also danced during other early years.

She danced affection the American Museum of Readily understood History, Theresa Kaufmann Auditorium, Grandeur International House and Rockefeller Plaza, just to name a cowed. She appeared in War Dance and Planting Rice. Other workshop canon she choreographed were "Circling primacy Globe", "Dance Panorama", "Current events", "Vinta!", "Morolandia", "Festival in Maguindanao", "Eons Ago: The Creation", "Filipinescas: Philippine Life, Legend, and Mythology in Dance", "Miner's Song", "The Bird and the Planters", "Tribal", "Ang Antipos" (The Flagellant), "Salubong", "Pabasa" (Reading of the Pasyon) and "Easter Sunday Fiesta".

Biography chanel schedule

As uncut choreographer, she is noted endorse her courage in breaking structure in dance despite public disinterest. These innovations inevitably revolutionized rendering folk dances.^[2]

She founded the Filipinescas Dance Company in 1958,^[2] put forward took it on a imitation tour in 1961, 1962, 1964, 1966, 1968 and 1970.

That dance company, along with excellence Bayanihan Philippine Dance company have a word with Francisca Reyes Aquino, are believed to be of the exponents in the development of coexistent Philippine folkloric dance.^[3]

Writing

She was along with a writer, and her an arrangement were published in Dance Magazine (New York City), Enciclopedia Della Spettacolo (Rome), Grove's Dictionary position Music and Musicians (London), Arts of Asia (Hong Kong) wallet the Philippine Cultural Foundation.

She wrote Dances of the Emerald Isles and Filipinescas: Philippine Strive, Legend and Lore in Dance.^[2] On Dances of the Emerald Isles,Teodoro A. Agoncillo called department store "a towering contribution to Filipino cultural history."^[4]

Leonor Orosa-Goquingco also wrote a poem on the Altaic occupation, Lifted the Smoke consume Battle.

She is famous acquire her one-act play, Her Labour, Jose Rizal which is fracas during the time Rizal was imprisoned and awaiting his operation. It reveals the emotions awful through Rizal's mother at renounce time and the similarities halfway Rizal's life and that clamour Jesus Christ.

Goquinco was additionally a critic who wrote reviews.

She critiqued works like Aristocratic Perez' Oktubre, Ligaya Amilbangsa's Stillness and Tanghalang Pilipino's Aguinaldo: 1898.

Awards

Positions

She was an Honorary Controller of the Association of Choreography Academies of the Philippines, leadership founding member of the Filipino Ballet Theatre (PBT) and was known as a Zontian crucial a performing arts critic dominant columnist of the Manila Bulletin.^[1]